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10 Rendezvous with Ray Summary in Hindi & English Free Online

 

10 Rendezvous with Ray Summary in Hindi & English Free Online
10 Rendezvous with Ray Summary in Hindi & English Free Online

Rendezvous with Ray Summary in English and Hindi Free Online: Hi Students, in this article you will find 10 Rendezvous with Ray Summary in English and Hindi. Rendezvous with Ray Summary in Hindi & English in a PDF format makes it very convenient for students to do a quick revision of any chapter. This way, you can do your revisions on the go, not losing your valuable time. Also in this article students of 10 will get Rendezvous with Ray Summary in english for the ease of students. This will help prepare students for the upcoming exams and score better. Hope this Rendezvous with Ray Summary in Hindi & English will be helpful to you.


10 Rendezvous with Ray Summary in Hindi & English

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10

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Rendezvous with Ray

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10 Rendezvous with Ray Summary

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10 Rendezvous with Ray Summary in Hindi

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रेंडेज़वस विद रे' 29 जुलाई और 11 अगस्त 2006 को फ्रंटलाइन द्वारा प्रकाशित समाचार रिपोर्ट है। यह सब कलकत्ता (कोलकाता) के प्रतिष्ठित सिने निर्देशक सत्यजीत रे के बारे में है। फ्रांसीसी-कैंडियन पादरी गैस्टन रॉबर्ट इस पाठ में रे के साथ अपने अनुभव प्रस्तुत करते हैं।

1961 में जब पं. गैस्टन रॉबर्ट 26 वर्ष के थे, वे अपू त्रयी के माध्यम से सत्यजीत रे के कार्यों से परिचित थे। उन्होंने तीनों फिल्मों को एक ही बार में देखा-वह घटना जिसने उन्हें भारत के लोगों और बंगाली सिनेमा और संस्कृति से प्यार किया। रॉबर्ट ने अपनी नवीनतम पुस्तक, "सत्यजीत रे, निबंध: 1970-2005" में रे के कार्यों का एक विद्वतापूर्ण, मूल विश्लेषण दिया है। अपनी युवावस्था में, रॉबर्ट को मिर्सिया एलियाडे की ला नुइट बंगाली, टैगोर की कुछ कविताओं और मदर टेरेसा पर एक रीडर्स डाइजेस्ट लेख के माध्यम से बंगाल के बारे में पता था। वह "झुग्गियों के संत" में दिखाई गई गरीबी की कठोर छवि से प्रेतवाधित था और अपू की दुनिया एक आश्वासन के रूप में आई थी। रे के आलोचकों ने उन पर आरोप लगाया कि उन्होंने भारत की गरीबी को पश्चिम को बेचकर अपनी प्रतिष्ठा बनाई। लेकिन रॉबर्ट कुछ अमीर लोगों की भारी आध्यात्मिक गरीबी से प्रभावित हुए, जो भौतिक गरीबी से भी बदतर है।

वह रे से मिलना चाहता था और उससे दोस्ती करना चाहता था लेकिन कोलकाता पहुंचने में उसे नौ साल लग गए। वह रे के कार्यों को और अधिक जानना चाहते थे ताकि उनके मिलने पर उनके बीच सार्थक संवाद हो सके। 1992 में रे की मृत्यु तक उनकी दोस्ती लगभग 22 साल तक चली। उनकी शांत दोस्ती वर्षों में विकसित हुई। रे के दोस्त उसे माणिकदा कहते थे। वह शर्मीला था और अपनी भावनाओं को दिखाने में बुद्धिमान था। वे बहुत ही सरल और विनम्र स्वभाव के थे और सूक्ष्म सेंस ऑफ ह्यूमर के साथ। दोनों दोस्त रविवार को सुबह 9 बजे कोलकाता के बिशप लेफ्रॉय रोड स्थित रे के आवास पर मिलते थे। रे रॉबर्ट को निजी स्क्रीनिंग दिखाते थे और उनकी टिप्पणियों का स्वागत करते थे। रे अक्सर रॉबर्ट को बंगाली में फ्रेंच बोलने वाले पुजारी के रूप में संबोधित करते थे और रॉबर्ट ने महसूस किया कि यह उनके लिए रे की प्रशंसा थी। रे ने अपने सेट-डिजाइनर के लिए अंग्रेजी में नोट्स के साथ, स्केच और संगीत के स्टाफ नोटेशन के साथ अपनी पांडुलिपियां बंगाली में लिखीं। एक बार, वह चारुलता की पटकथा से चूक गए। हालांकि वह जानता था कि अपराधी कौन है, वह मानवीय चिंता के साथ कोई कार्रवाई नहीं करना चाहता था।

हम टैगोर और रे के बीच उनके कार्यों में उल्लेखनीय तुलना पाते हैं। उनके बीच एक दार्शनिक सादृश्य भी है। हम रे की फिल्मों में अमीर, गरीब, शक्तिशाली, विनम्र, किसान, शहर के व्यक्ति, बच्चे, किशोर, वयस्क, बूढ़े, पुरुष, महिला आदि सभी पात्रों को पाते हैं।


10 Rendezvous with Ray Summary in English

Students can check below the 10 Rendezvous with Ray Summary in English. Students can bookmark this page for future preparation of exams.


Rendezvous with Ray is a news report published by Frontline on 29 July and 11 August 2006. This is all about the iconic cine director Satyajit Ray from Calcutta (Kolkata). French-Canadian pastor Gaston Robert presents his experiences with Ray in this lesson.

In 1961, when Pt. Gaston Robert was 26 years old, he was familiar with the works of Satyajit Ray through the Apu Trilogy. He saw all three films at once—the event that made him fall in love with the people of India and Bengali cinema and culture. Robert gives a scholarly, original analysis of Ray's works in his latest book, "Satyajit Ray, Essays: 1970-2005". In his youth, Robert knew about Bengal through Mircia Eliade's La Nuit Bengali, some poems by Tagore, and a Reader's Digest article on Mother Teresa. He was haunted by the harsh image of poverty depicted in "Saint of the Slums" and Apu's world came as a reassurance. Ray's critics accused him of building his reputation by selling India's poverty to the West. But Robert was struck by the enormous spiritual poverty of some wealthy people, which is worse than material poverty.

He wanted to meet Ray and befriend him but it took him nine years to reach Kolkata. He wanted to know more about Ray's works so that they could have a meaningful dialogue when they met. Their friendship lasted for about 22 years until Ray's death in 1992. Their quiet friendship developed over the years. Ray's friends called her Manikada. He was shy and wise in showing his feelings. He was very simple and humble and with a subtle sense of humour. The two friends used to meet at 9 am on Sunday at Ray's residence on Bishop Lefroy Road in Kolkata. Ray used to show Robert the private screening and welcome his comments. Ray often addressed Robert as a French-speaking priest in Bengali and Robert felt that this was Ray's admiration for him. Ray wrote his manuscripts in Bengali for his set-designer, with notes in English, with staff notation of sketches and music. Once, he missed out on Charulata's script. Although he knew who the culprit was, he did not want to take any action with human concern.

We find remarkable comparisons between Tagore and Ray in their works. There is also a philosophical analogy between them. We find all the characters in Ray's movies like rich, poor, powerful, humble, farmer, city man, kid, teen, adult, old man, woman etc.


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