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Monday, December 25, 2023

9 Have you ever seen…? Summary in Marathi & English Free Online

 

9 Have you ever seen…? Summary in Marathi & English Free Online
9 Have you ever seen…? Summary in Marathi & English Free Online

Have you ever seen…? Summary in English and Marathi Free Online: Hi Students, in this article you will find 9 Have you ever seen…? Summary in English and Marathi. Have you ever seen…? Summary in Marathi & English in a PDF format makes it very convenient for students to do a quick revision of any chapter. This way, you can do your revisions on the go, not losing your valuable time. Also in this article students of 9 will get Have you ever seen…? Summary in english for the ease of students. This will help prepare students for the upcoming exams and score better. Hope this Have you ever seen…? Summary in Marathi & English will be helpful to you.


9 Have you ever seen…? Summary in Marathi & English

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9

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Have you ever seen…?

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9 Have you ever seen…? Summary in Marathi

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सुरुवातीच्या चार ओळींमध्ये स्पेंसरने विषयाची ओळख करून दिली आहे... … पुढील चार ओळींमध्ये अभ्यासाला या विषयाचा काही शोध लागण्याची आशा आहे, तरीही मुळात उद्घोषणाला चालना मिळेल… … खूप विकसित श्लोकात शेवटच्या ओळींमध्ये अपेक्षित आहे. अभ्यासपूर्ण दृढनिश्चय शोधण्यासाठी. येथे, ते जसे असेल, तेथे सेटल होण्यासाठी कोणतीही सनसनाटी उत्कट परिस्थिती नाही. गुळगुळीत श्रद्धांजली म्हणून आणखी स्पष्टीकरण तयार केले आहे… हेरिक आणि स्टीव्हन्स आणि स्पेन्सर यांच्या बॅलड्समधील तफावत म्हणजे एक्सप्लोरेशनचे श्लोक आणि कामाचे श्लोक यांच्यातील पात्रता. हेरिक आणि स्टीव्हन्स कार्य करण्यासाठी अभ्यासासाठी सामग्री प्रदर्शित करतात; स्पेंसर एक कल्पित चकमक स्पष्टपणे व्यक्त करतो. सुरुवातीच्या दोन गाण्यांमध्ये प्रदर्शनातील साहित्याबाबत एक अभ्यासपूर्ण आणि उत्साहपूर्ण मुद्दा आहे. स्पेंसर, एक ख्रिश्चन म्हणून, ख्रिश्चन स्वभावाशी बोलतो आणि त्याची रूपरेषा देतो; तो पुन्हा भेटत नाही. त्याला त्याचा स्वभाव प्राप्त होत नाही.

हे सर्व स्पेंसरच्या डेव्हलपमेंट बॅलड्सच्या अमोरेट्टीचा जीवंत प्रतिकार करत नाही, विशेषत: जर एखाद्याने हे मान्य केले की हेरिकच्या डिस्ट्रॉट क्लीनिंग स्पेशालिस्टची ट्यून आणि स्टीव्हन्सचे सबसाइड क्विन्स अॅट द पियानो हे या विशिष्ट कामापेक्षा चांगले गीत आहेत. असे असले तरी, हे काम सर्वत्र त्याच्या दिशेने आहे आणि त्यात ओ'कॉनरने जितके गुण शोधून काढले आहेत त्यापेक्षा जास्त गुण आहेत. ते भावनिक आहे, तरीही त्याच्या नव-नॉन-रोमँटिक कल्पनेत शांतपणे दिसण्यापेक्षा अधिक अस्थिबंधन आहे; खूप जास्त धक्का आणि दबाव आहे, कारण संपूर्ण काम नंदनवन आणि पृथ्वी यांच्यामध्ये लपलेले आहे. सुरुवातीच्या चार ओळी मृत्यूने चिरडलेल्या आत्म्याचे स्वर्गीय ध्येय व्यक्त करतात; खालील चार स्पष्टीकरण आहेत, तरीही 'अन्वेषणात्मक विधान' मूलभूत 'मृत्यू दर' निश्चित करण्यासाठी, आत्म्याचे प्रात्यक्षिक, अभावाने अडकलेले, पर्यायी स्वर्ग सहन करणे. सुरुवातीच्या फसवणुकीत दुर्लक्ष केलेल्या अस्सल स्वर्गाच्या भावनेने सप्तक आपला त्याग करतो. सेसेटच्या सुरुवातीच्या ओळी, या नैसर्गिक उत्साहावर स्पष्टीकरण देणाऱ्या, बॅलडचा मुख्य तुकडा आहे ज्याला फक्त 'पुढील स्पष्टीकरण' म्हणून बाहेर काढले जाऊ शकते, कारण शेवटच्या जोडणीमुळे अचानक नव-प्लॅटोनिझम आणि पर्यायी कल्पना उलटते. नैसर्गिक प्रेम, पृथ्वीवरील स्वर्गातील कॅच 22 ची घोषणा करत आहे. अशाप्रकारे तर्कसंगततेच्या मांडणीला त्याच्या प्रेमापुढे नतमस्तक होण्यास भाग पाडून, स्पेंसर कोणतीही विलक्षण गहन संघर्ष दाखवत नाही; गुळगुळीत, मजेदार प्रेमळ श्रद्धांजलीच्या मर्यादेत राहण्याची योजना आखल्याप्रमाणे तो राहतो. यासाठी श्लोकात जागा नाही का? (W.B.C. वॉटकिन्स)


9 Have you ever seen…? Summary in English

Students can check below the 9 Have you ever seen…? Summary in English. Students can bookmark this page for future preparation of exams.


In the first four lines, Spencer introduces the subject ... ंमध्ये In the next four lines, the study hopes to find some research on the subject, however, the proclamation will get a boost. To find studious determination. Here, as it were, there is no sensational passion to settle down. Another explanation is created as a smooth tribute वत the difference between the ballads of Herrick and Stevens and Spencer is the qualification between the verse of exploration and the verse of work. Herrick and Stevens display study material for work; Spencer clearly expresses a fictional flicker. The first two songs have a thoughtful and intriguing point about the literature on display. Spencer, as a Christian, speaks and outlines the Christian nature; He never meets again. He does not receive his nature.

All of this doesn't live up to the splendor of Spencer's development ballads, especially if one agrees that the tunes of Herrick's Destroat Cleaning Specialist and Stevens' Subside Queens at the Piano are better songs than this particular work. Even so, owning one is still beyond the reach of the average person. It is emotional, yet its neo-non-romantic imagination has more ligaments than it appears quietly; There is a lot of shock and pressure, because the whole work is hidden between paradise and earth. The first four lines express the heavenly purpose of the soul crushed by death; The following are four explanations, however, for determining the basic 'mortality' of the 'investigative statement', the demonstration of the soul, the lack of, the tolerant alternative paradise. Saptak abandons us with the feeling of genuine heaven that was ignored in the initial deception. The opening lines of the sesset, explaining this natural excitement, are the main piece of the ballad that can only be taken out as a 'further explanation', as the last addition suddenly reverses neo-platonism and alternative ideas. Natural love is announcing Catch 22 in heaven on earth. By forcing the structure of rationality to bow before his love in this way, Spencer shows no extraordinarily profound struggle; He lives as he plans to live within the bounds of a smooth, fun loving tribute. Is there no space in the verse for this? (W.B.C. Watkins)


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