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O Ode on a Grecian Urn Summary in Hindi & English Free Online

 

O Ode on a Grecian Urn Summary in Hindi & English Free Online
O Ode on a Grecian Urn Summary in Hindi & English Free Online

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O Ode on a Grecian Urn Summary in Hindi & English

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O Ode on a Grecian Urn Summary in Hindi

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वक्ता सीधे कलश को संबोधित करता है, इसे शांतता का एक शुद्ध साथी के साथ-साथ मौन और लंबे समय तक गोद लिया हुआ बच्चा मानता है। कलश ग्रामीण दृश्यों का एक इतिहासकार है, जिसे वह वक्ता के युग की कविता (या शायद अधिक सामान्यतः भाषा) की तुलना में बेहतर तरीके से चित्रित करता है। वक्ता को आश्चर्य होता है कि कलश पर चित्रों द्वारा कौन-सी कहानियाँ सुनाई जा रही हैं; इसमें दर्शाए गए आंकड़े मानव हैं या देवता, और वे ग्रीस के किस हिस्से में हैं। वक्ता पुरुष पात्रों और अनिच्छुक दिखने वाली महिलाओं की विशिष्ट पहचान के बारे में सोचता है। क्या दृश्य एक पीछा और भागने का प्रयास दिखाते हैं? कलश पर संगीत वाद्ययंत्रों को नोट करते हुए, वक्ता सवाल करता है कि क्या प्रदर्शन के दृश्य किसी प्रकार के प्रलापपूर्ण आनंद का प्रतिनिधित्व करते हैं।

वक्ता संगीत की प्रशंसा करता है, लेकिन दावा करता है कि वह संगीत जिसे सुना नहीं जा सकता (जैसे कलश पर) और भी बेहतर है। जैसे, वक्ता कलश के पाइपों को बजाते रहने के लिए विनती करता है - संवेदी इनाम के लिए नहीं, बल्कि मौन के लिए श्रद्धांजलि में। स्पीकर कुछ पेड़ों के नीचे बैठे एक युवा मुरलीवाला को केंद्रित करता है; जिस तरह मुरलीवाला अपना गीत बजाना कभी बंद नहीं कर सकता है - जैसे वह कलश पर जमी हुई है - वैसे ही पेड़ अपने पत्ते कभी नहीं छोड़ेंगे। इसके बाद वक्ता एक ऐसे दृश्य पर ध्यान केंद्रित करता है जिसमें दो युवा प्रेमियों को दर्शाया गया है। हालांकि वे लगभग चुंबन कर रहे हैं, उनके होंठ कभी नहीं मिल सकते। वक्ता उन्हें परेशान न होने के लिए कहता है, हालांकि: हालांकि चुंबन कभी नहीं होगा, पुरुष और महिला हमेशा एक दूसरे से प्यार करेंगे (या पुरुष हमेशा महिला से प्यार करेगा), और महिला हमेशा सुंदर रहेगी।

वक्ता अब कलश पर पेड़ों की छवियों को संबोधित करते हैं, उनकी शाखाओं को खुश कहते हैं क्योंकि वे अपने पत्ते कभी नहीं खोएंगे, और उन्हें कभी भी वसंत को अलविदा नहीं कहना पड़ेगा। स्पीकर फिर पाइपर के पास लौटता है, जिसे वे खुश और अथक मानते हैं- पाइपर बाकी समय के लिए नया संगीत बजाएगा। यह वक्ता को खुशी और प्रेम के विचारों से भर देता है। कलश पर मौजूद आकृतियों को हमेशा आगे देखने में खुशी होगी, हमेशा पीछा करने से सांस नहीं चलेगी, और हमेशा युवा रहेंगे। जीवित मानव संसार के सभी जुनून कलश पर मौजूद आकृतियों से बहुत दूर हैं - और ये जुनून दिल में दर्द, प्यार करने वाले बुखार और प्यास का कारण बनते हैं।

वक्ता उनका ध्यान कलश पर एक अन्य दृश्य की ओर आकर्षित करता है, जो एक औपचारिक प्रगति को दर्शाता प्रतीत होता है। वे एक छायादार पुजारी की आकृति को देखते हैं, जो एक गाय का नेतृत्व कर रही है, जो आकाश की ओर घूम रही है और औपचारिक रेशम और फूलों से सजी है। इस छवि के कारण वक्ता को आश्चर्य होता है कि जुलूस में शामिल लोग कहाँ से आए हैं—नदी, तट, या पहाड़ के किनारे का कौन सा शहर शांत हो गया है क्योंकि वे इस धार्मिक रूप से महत्वपूर्ण सुबह को छोड़ चुके हैं? वक्ता सीधे इस अज्ञात शहर को संबोधित करता है, यह स्वीकार करते हुए कि इसकी सड़कें हमेशा के लिए खामोश हैं। शहर खाली क्यों है, यह समझाने वाला कोई नहीं बचा है।

स्पीकर अपने आकार और स्पष्ट रवैये को देखते हुए, कलश को और अधिक ज़ूम-आउट करता है। वे चित्रमय पुरुषों और महिलाओं के कलश की आबादी और प्रकृति के चित्रणों का पुनर्कथन करते हैं। वक्ता के लिए, कलश विचार से एक अस्थायी राहत प्रदान करता है, उसी तरह जैसे कि अनंत काल करता है। लेकिन यह राहत अमानवीय या झूठी लगती है, जिससे वक्ता को कलश ठंडा लगता है। इस भावना से प्रेरित होकर, वक्ता नोट करता है कि, जब उनकी पीढ़ी के सभी लोग मर चुके हैं, तब भी कलश आसपास रहेगा। वक्ता की पीढ़ी से भिन्न समस्या वाले लोगों के लिए यह चिंतन का विषय बनेगा। उन्हें कलश कहेगा कि सौन्दर्य और सत्य एक ही हैं; यह तथ्य वह सब है जिसे जानना संभव है, और वह सब जो वास्तव में किसी को जानने की आवश्यकता है।


O Ode on a Grecian Urn Summary in English

Students can check below the O Ode on a Grecian Urn Summary in English. Students can bookmark this page for future preparation of exams.


The speaker directly addresses the urn, considering it a pure companion of peace as well as silence and a long adopted child. Kalash is a historian of rural scenes, which he portrays better than the poetry (or perhaps more generally language) of the speaker's era. The speaker wonders what stories are being told through the pictures on the vase; Are the figures depicted in it human or deity, and in which part of Greece they are. The speaker thinks about the distinctive identities of male characters and reluctant looking females. Do the scenes show a chase and an attempt to escape? Noting the musical instruments on the vase, the speaker questions whether the scenes of the performance represent some kind of delicious joy.

The speaker praises the music, but claims that music that cannot be heard (like on a vase) is even better. As such, the speaker begs the urn's pipes to keep playing—not for sensory reward, but in tribute to the silence. The speaker focuses on a young piper sitting under some trees; Just as the piper can never stop playing his song - as it is frozen on the vase - so the trees will never shed their leaves. The speaker then focuses on a scene that depicts two young lovers. Although they are almost kissing, their lips can never meet. The speaker tells them not to get upset, however: although the kiss will never happen, the man and woman will always love each other (or the man will always love the woman), and the woman will always be beautiful.

Speakers now address images of trees on the vase, calling their branches happy because they will never lose their leaves, and they will never have to say goodbye to spring. The speaker then returns to Piper, whom they find happy and tireless—Piper will play new music for the rest of the time. It fills the speaker with thoughts of happiness and love. The figures on the vase will always be a joy to look forward to, won't always take breath away from the chase, and will always be young. All the passions of the living human world are far from the figures on the vase - and these passions cause pain in the heart, love fever and thirst.

The speaker draws his attention to another scene on the vase, which appears to represent a formal progression. They see the figure of a shadowy priest, led by a cow, which is walking towards the sky and is adorned with ceremonial silk and flowers. This image causes the speaker to wonder where the people in the procession came from—which river, coast, or mountainside town has been quiet because they have left this religiously important morning? The speaker directly addresses this unknown city, acknowledging that its streets are forever silent. There is no one left to explain why the city is empty.

The speaker further zooms-out the urn, given its size and clear attitude. They recapitulate depictions of the urn's population and nature of pictorial men and women. For the speaker, the urn provides a temporary respite from thought, in the same way that eternity does. But this relief seems inhuman or false, causing the speaker to find the urn cold. Inspired by this sentiment, the speaker notes that, even when everyone in his generation is dead, the urn will still be around. This will become a matter of contemplation for people with problems other than the speaker's generation. The urn will tell them that beauty and truth are one; This fact is all that is possible to know, and all that one really needs to know.


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